Bridgerton/Violet’s immense druk op Anthony vanwege zijn liefde voor Siena Rosso/Wie wind zaait, zal storm oogsten…..

Violet-S3E4

LADY VIOLET BRIDGERTON
1x01-37
ANTHONY AND SIENA
VIOLET’S IMMENSE DRUK OP ANTHONY, VANWEGE ZIJN LIEFDE VOOR SIENA ROSSO/WIE WIND ZAAIT, ZAL STORM OOGSTEN
WIE WIND ZAAIT, ZAL STORM OOGSTEN…..[1A]
YOU REAP WHAT YOU SOW, LADY VIOLENT
HALLO FOLKS
Hier even op een rij enkele Voorbeelden van de Druk en Emotionele Chantage van Anthony’s moeder, Lady Violent, vanwege zijn liefde voor opera zangeres Siena Rosso
En hoewel haar bezwaren tegen die relatie reeel en begrijpelijk waren vanwege de angst voor de sociale dood [ZIE NOOT 1] is de manier waarop Violet daarmee omging ronduit gemeen, naar en dehumaniserend.
Want kennelijk drong het niet tot haar door, dat ze niet alleen Siena Rosso diep dehumaniseerde, maar ook het diepste wezen van haar zoon trof, door zich zo uit te laten over de vrouw van wie hij hield.
Maar uiteindelijk heeft dat tegen haar gewerkt
Want ook na zijn huwelijk en geluk met Kate Sharma bleef Anthony niet alleen op veilige afstand [hij verhuisde naar het platteland] [2], hij bleef wrok koesteren voor de dehumaniserende manier waarop moeder Lady Violent was omgegaan met zijn liefdesrelatie met Siena Rosso. [3]
En ook zou hij niet vergeten, hoe kapot hij van de breuk was en dat alleen zijn beste vriend en nu zwager Simon Basset hem op liefdevolle wijze troostte [4]
Zo had zij de ”sociale dood” bestreden, maar was zij haar zoon emotioneel
definitief kwijt
Want terechte bezwaren hebben [vanwege die sociale dood] [5] is EEN ding
De vrouw van wie je zoon houdt dehumaniseren is onvergeelijk
TOT DE VOLGENDE KEER WEER FOLKS
ASTRID ESSED
NOTEN
NOTEN 1A T/M 5
HET VOLGENDE STUK WORDT EEN VERTALING VAN MIJN EERDER GESCHREVEN STUK OVER SIENA
DIT WAS DAT STUK, BINNENKORT VERTAALD!
I
ARTIKELEN
NU EERST DE VOLGENDE ARTIKELEN, DAARONDER VIOLET’S DRUK OP ANTHONY, UITGESCHREVEN
ARTIKELEN
EN
EN
EN
EN
EN
ER KOMEN NOG MEER ARTIKELEN, ZOALS OVER DE SELECTIEVE EXCUSES VAN VIOLET IN SEIZOEN 2 EN WAAROM ZE SELECTIEF WAREN….
II
VIOLET’S IMMENSE DRUK
AI OVERZICHT
De confrontatie in de werkkamer (Aflevering 1)
Een van de krachtigste confrontaties vindt plaats in de werkkamer van de familie. Violet herinnert Anthony aan zijn verantwoordelijkheden als gezinshoofd en spreekt hem aan op zijn dubbelleven:
  • De confrontatie: Violet vraagt Anthony recht op de man af of hij, wanneer hij de kamer verlaat, terugkeert naar zijn eigen huis of een bezoek brengt aan “een zekere sopraan aan de andere kant van de stad”.
  • Violets boodschap: Ze stelt dat hij zijn plichten verwaarloost. Ook zegt ze dat hij op zijn jongere broers vertrouwt om uiteindelijk het werk te doen dat hij “niet kan” (het veiligstellen van een erfgenaam en het hooghouden van de familienaam). Ze eindigt met de vernietigende vraag of hij slechts een oudere broer is, of werkelijk de “man des huizes”.
 
DEHUMANISERING DOOR VIOLET
[IN HET NEDERLANDS
GA JE OOK ECHT TERUG NAAR JE VRIJGEZELLEN WONING OF BEN JE VAN PLAN ”EEN ZEKERE SOPRAAN” TE BEZOEKEN AAN DE ANDERE KANT VAN DE STAD”
Violet: “Are you actually returning to your bachelor lodgings in the city, or is there a certain soprano you intend to visit?”
https://www.google.com/search?q=Violet%3A+Ik+heb+gefaald+als+moeder%2C+Anthony.+Ik+was+zo+bang+voor+schandalen%2C+zo+bang+om+de+controle+te+verliezen%2C+dat+ik+vergat+te+kijken+naar+wat+jij+nodig+had.+Ik+heb+je+te+zware+lasten+laten+dragen+en+ik+heb+je+offers+laten+brengen+die+een+hart+kunnen+breken.+Anthony+%28na+een+lange+stilte%2C+nog+steeds+met+afstand%29%3A+Het+verleden+is+het+verleden%2C+moeder.+Uw+excuses+veranderen+de+offers+niet.+Maar+ik+zal+mijn+plicht+blijven+doen.+%2FEngelse+vertaling+graag&sca_esv=e5a82f36d3850ce9&biw=1280&bih=585&sxsrf=ANbL-n583imer1pvxmAvLE8_bUavSwwJ0A%3A1775696432450&ei=MPrWabCaG6-F9u8PqrK10Ac&ved=2ahUKEwi8jazH0d-TAxXrhf0HHevoAfcQ0NsOegQIAxAB&uact=5&sclient=gws-wiz-serp&fbs=ADc_l-YGrpJMQtvjQ6h14rj-dfIrGHtbS2sKx-L4Fs6XrHXZTgGannR8EMMZSoXcZI253NkQbXHBm2OWC8p5lK2U3SVcp8m5BYStzn5KlLBtbc7HHr2mPQGkrncwZGc6cwKew5W_iU5RkxOf6m_4Ua3Ga8CAazxaOVmpDHKcYfhRoNIRfqh5vlxDvy7enN1TqlaNTSMQ1i9v&aep=10&ntc=1&mstk=AUtExfAQiCry_syQRBvVOF9ruGXkyL3_sRRXcyE8kE3NaOW6b9bLiCWe-J7XNNXcqMUFCL_O44aG88vkwFImTaE8uDsknxCm7lGnpSn6n9-xawWrDE4MJYB4vFgMurR07uGudjEvgHXtnJa7pL3VRplrKWA1axhxcZMq6h9OEdrwnifWhGETMHWkuqAvRTzBmWjTJP5mwCpv-kZXtaFEwriTtp5zJrhkcBOpHIXUcr6drsvPPEpAtRzLSFG2SH428dh3nGrujomPzVbwRnUHb1bi7FvWzJg87OZTdfjdjfGFi5zxYszcf0crkHPnsjcUXgJQVeQbkRQbgNY5og&csuir=1&mtid=0gTXaa-UL6Ko9u8P5s2N6QI&udm=50
EN VIOLET’S NARE GOLDDIGGERS SNEER
AI OVERZICHT
De confrontatie over Siena Rosso
“Keer je daadwerkelijk terug naar je vrijgezellenwoning in de stad, of is er een zekere sopraan die je van plan bent te bezoeken? Een die je onderhoudt in een appartement dat jij betaalt aan de andere kant van de stad?”
https://www.google.com/search?q=Nederlandse+vertaling%2FViolet%3A+%E2%80%9CAnd+as+for+your+own+pursuits%E2%80%A6+Will+you+be+visiting+a+certain+soprano+whom+you+keep+in+an+apartment+that+you+pay+for+on+the+other+side+of+town%3F%E2%80%9D%0D%0A%E2%80%A6.%0D%0A%E2%80%A6..%0D%0A%E2%80%9DWhy+this+was+so+hurtful%3A%0D%0AThe+Dehumanization%3A+By+not+mentioning+her+by+name+%28%E2%80%9Ca+certain+soprano%E2%80%9D%29%2C+Violet+turned+Siena+into+an+object%2C+a+scandal%2C+rather+than+the+woman+her+son+loved.%0D%0AThe+Comparison+to+Edmund%3A+By+bringing+up+his+late+father+%28%E2%80%9CYour+father+would+never%E2%80%A6%E2%80%9D%29%2C+Violet+used+Anthony%E2%80%99s+greatest+trauma+as+a+weapon+to+force+him+to+give+up+Siena.%0D%0AThe+Financial+Sneer%3A+By+emphasizing+that+he+paid+for+her+apartment%2C+she+suggested+the+relationship+was+purely+transactional%2C+whereas+we+as+viewers+knew+that+Anthony+was+willing+to+give+his+life+for+her&sca_esv=2dd0b3b2c41daf7e&sxsrf=APpeQnt_yRjWDAbsxE_OxZbxqHbgDYnKZg%3A1782652716237&ei=LB9BaobcC_-0i-gP-4GOuQY&iflsig=ABILxe8AAAAAakEtPLUriYhUUuBo8WAt-iyqC9rCFohR&uact=5&sclient=gws-wiz&udm=50&fbs=ABfTbFUyxjQn9bne4DuflY2dNqqKbvlIcC736Ld1YUW461Eync997olHw4iGJeJyp_B6AzRLkjYOlPzXpNDKddLTXic6Nlh03v-1DbOXkUQw3hTi8Bva37Fs7-WhcdFvpJl1Yu-e6B4Np7r-fkkp8JDK6MnIsNSN0EQUjxq5SQkvKkfZj7U79HjMpV6SNxLKGaO0KEdREHMM2LuWNuY0ygc9ibEtWDWwOQ&aep=10&ntc=1&mstk=AUtExfCWfV8Vnx2p4V2_5FkoeRMfM1EvNBkhq5bASB0C_OyfDcaltBvDmm5Pnsq3rsFhMU-B8w9xsTLXFAetRHiLHrGlu229Nx5XLxkWeRMjMU-RQNLtdr1Kl8cnXvzOvLWraJJseSL7GYEhSG32hu8sx1O-SvHe0duhwro0Z7TOixzWM4Mp8Ay6tXWpRXDiI0oOspbqZelY6-OYekJbTmoSC7ib71uC1YmCd-7uY5dfPPZ6MwMqVeebNfqAsj5NCaA9cgkOwnhCdfGbkL4IrSKnk0p7V_CkhwYVhecF-YSk4Q8InMRipvI6bM1druH8R3hzQVDJWtYHTHNkw2PB8jRqAG8ZVCBwDcB_bA&aioh=3&csuir=1&cs=0&mtid=lyBBaqWVG7O3i-gP2_2F2Ao&lns_mode=cvst
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Violet: “Tonight, when you leave this study that you continue to keep at your family home, are you to return to your bachelor lodgings across the square? Or will you pay a visit to a certain soprano on the other side of town, relying on your younger brothers to one day do the job that you cannot?”

https://www.google.com/search?q=Een+adellijke+moeder+in+Regency+Tijd%2C+die+weduwe+is%2C+dwarsboomt+de+intense%5C+liefdesrelatie+van+haar+zoon%2C+die+Hoofd+van+de+Familie+is%2C+met+een+opera+zangeres%2Cwaarvan+de+zoon+kapot+is%2FLater+gaat+hij+van+een+ander+meisje+houden%2C+dat+door+zijn+moeder+wordt+geaccepteerd+omdat+ze+tot+hun+kringen+behoort%2FBlijft+er+dan+toch+wrok+naar+zijn+moeder+om+haar+eerdere+sabotage%2C+vooral+als+zij+daarover+nooit+excuses+aanbood&sca_esv=16c2f173e47a52dc&biw=1280&bih=585&sxsrf=APpeQnsBwpTw82mW63g5xeFrFToa8m1Ujw%3A1782814567236&ei=Z5dDarr_DbOki-gP6YHQiQs&uact=5&sclient=gws-wiz-serp&udm=50&fbs=ABfTbFUyxjQn9bne4DuflY2dNqqKxYAWFhLCpnjf3OsLbYdPHfeLRBbUdax8XIDisZsbNPMegIQzUsa4JCn1YSkvXcqL2vBeGVbea-Al2nduh-wu03ZCCac4V33yKZU_4pj59rSzK4QFLYLtDjlV60PTTPjOZwqdM137BHtba0dUxzHxEAKInD-IaaiiTF9EakWNojSTsNYm&aep=10&ntc=1&mstk=AUtExfDV75XovgWVkepdl6zZA4C5gvVq8FT38eHkuUqb-a6mLZzQS-LoqEdNIuvh5ZNg1n5xQk5WRGtAhrWedP2dkSFxznbefW2-tDHS970GFGOKKFgOqxIGapbknWabYZWUik3fzEeOx8Gw6lVNfIgwfZNwWHIXxEVQM8hhvjiy3L3p1psRbiaTXNMgZ2UOUmIPcD1HmlBxqayY2XmvVcbcoLubLRgqF933WZx4Nt9rujSNFajckoji6fE8M0ZqmojYCScmXIBlmPFPVi_aQZ_IEJwgd4fd-2h810qWvi3LyiSF2y-aZdkVWZOaNLQ5p9KXHZzvo22pcmQnhA&aioh=3&csuir=1&cs=0&mtid=1ZhDau74G_H_7_UP64qdgAU&lns_mode=cvst

Violet: “You like to speak of responsibility, my dear son, of duty. Pray tell, what should you know of it? You must ask yourself, are you merely an older brother, or are you the man of this house?”

https://www.google.com/search?q=Een+adellijke+moeder+in+Regency+Tijd%2C+die+weduwe+is%2C+dwarsboomt+de+intense%5C+liefdesrelatie+van+haar+zoon%2C+die+Hoofd+van+de+Familie+is%2C+met+een+opera+zangeres%2Cwaarvan+de+zoon+kapot+is%2FLater+gaat+hij+van+een+ander+meisje+houden%2C+dat+door+zijn+moeder+wordt+geaccepteerd+omdat+ze+tot+hun+kringen+behoort%2FBlijft+er+dan+toch+wrok+naar+zijn+moeder+om+haar+eerdere+sabotage%2C+vooral+als+zij+daarover+nooit+excuses+aanbood&sca_esv=16c2f173e47a52dc&biw=1280&bih=585&sxsrf=APpeQnsBwpTw82mW63g5xeFrFToa8m1Ujw%3A1782814567236&ei=Z5dDarr_DbOki-gP6YHQiQs&uact=5&sclient=gws-wiz-serp&udm=50&fbs=ABfTbFUyxjQn9bne4DuflY2dNqqKxYAWFhLCpnjf3OsLbYdPHfeLRBbUdax8XIDisZsbNPMegIQzUsa4JCn1YSkvXcqL2vBeGVbea-Al2nduh-wu03ZCCac4V33yKZU_4pj59rSzK4QFLYLtDjlV60PTTPjOZwqdM137BHtba0dUxzHxEAKInD-IaaiiTF9EakWNojSTsNYm&aep=10&ntc=1&mstk=AUtExfDV75XovgWVkepdl6zZA4C5gvVq8FT38eHkuUqb-a6mLZzQS-LoqEdNIuvh5ZNg1n5xQk5WRGtAhrWedP2dkSFxznbefW2-tDHS970GFGOKKFgOqxIGapbknWabYZWUik3fzEeOx8Gw6lVNfIgwfZNwWHIXxEVQM8hhvjiy3L3p1psRbiaTXNMgZ2UOUmIPcD1HmlBxqayY2XmvVcbcoLubLRgqF933WZx4Nt9rujSNFajckoji6fE8M0ZqmojYCScmXIBlmPFPVi_aQZ_IEJwgd4fd-2h810qWvi3LyiSF2y-aZdkVWZOaNLQ5p9KXHZzvo22pcmQnhA&aioh=3&csuir=1&cs=0&mtid=1ZhDau74G_H_7_UP64qdgAU&lns_mode=cvst

EN VIOLET’S NARE GOLDDIGGERS SNEER
AI OVERZICHT
De confrontatie over Siena Rosso
“Keer je daadwerkelijk terug naar je vrijgezellenwoning in de stad, of is er een zekere sopraan die je van plan bent te bezoeken? Een die je onderhoudt in een appartement dat jij betaalt aan de andere kant van de stad?”
https://www.google.com/search?q=Nederlandse+vertaling%2FViolet%3A+%E2%80%9CAnd+as+for+your+own+pursuits%E2%80%A6+Will+you+be+visiting+a+certain+soprano+whom+you+keep+in+an+apartment+that+you+pay+for+on+the+other+side+of+town%3F%E2%80%9D%0D%0A%E2%80%A6.%0D%0A%E2%80%A6..%0D%0A%E2%80%9DWhy+this+was+so+hurtful%3A%0D%0AThe+Dehumanization%3A+By+not+mentioning+her+by+name+%28%E2%80%9Ca+certain+soprano%E2%80%9D%29%2C+Violet+turned+Siena+into+an+object%2C+a+scandal%2C+rather+than+the+woman+her+son+loved.%0D%0AThe+Comparison+to+Edmund%3A+By+bringing+up+his+late+father+%28%E2%80%9CYour+father+would+never%E2%80%A6%E2%80%9D%29%2C+Violet+used+Anthony%E2%80%99s+greatest+trauma+as+a+weapon+to+force+him+to+give+up+Siena.%0D%0AThe+Financial+Sneer%3A+By+emphasizing+that+he+paid+for+her+apartment%2C+she+suggested+the+relationship+was+purely+transactional%2C+whereas+we+as+viewers+knew+that+Anthony+was+willing+to+give+his+life+for+her&sca_esv=2dd0b3b2c41daf7e&sxsrf=APpeQnt_yRjWDAbsxE_OxZbxqHbgDYnKZg%3A1782652716237&ei=LB9BaobcC_-0i-gP-4GOuQY&iflsig=ABILxe8AAAAAakEtPLUriYhUUuBo8WAt-iyqC9rCFohR&uact=5&sclient=gws-wiz&udm=50&fbs=ABfTbFUyxjQn9bne4DuflY2dNqqKbvlIcC736Ld1YUW461Eync997olHw4iGJeJyp_B6AzRLkjYOlPzXpNDKddLTXic6Nlh03v-1DbOXkUQw3hTi8Bva37Fs7-WhcdFvpJl1Yu-e6B4Np7r-fkkp8JDK6MnIsNSN0EQUjxq5SQkvKkfZj7U79HjMpV6SNxLKGaO0KEdREHMM2LuWNuY0ygc9ibEtWDWwOQ&aep=10&ntc=1&mstk=AUtExfCWfV8Vnx2p4V2_5FkoeRMfM1EvNBkhq5bASB0C_OyfDcaltBvDmm5Pnsq3rsFhMU-B8w9xsTLXFAetRHiLHrGlu229Nx5XLxkWeRMjMU-RQNLtdr1Kl8cnXvzOvLWraJJseSL7GYEhSG32hu8sx1O-SvHe0duhwro0Z7TOixzWM4Mp8Ay6tXWpRXDiI0oOspbqZelY6-OYekJbTmoSC7ib71uC1YmCd-7uY5dfPPZ6MwMqVeebNfqAsj5NCaA9cgkOwnhCdfGbkL4IrSKnk0p7V_CkhwYVhecF-YSk4Q8InMRipvI6bM1druH8R3hzQVDJWtYHTHNkw2PB8jRqAG8ZVCBwDcB_bA&aioh=3&csuir=1&cs=0&mtid=lyBBaqWVG7O3i-gP2_2F2Ao&lns_mode=cvst
REACTIE ANTHONY OP DEHUMANISERING DOOR VIOLET
AI OVERZICHT
ANTHONY’S REACTIE
Tijdens die specifieke, kille confrontatie in zijn werkkamer in Seizoen 1 houdt Anthony de boot af door een ijzeren masker van onverschilligheid op te zetten. Wanneer Lady Violet haar vernietigende aanval inzet, weigert hij haar de emotionele reactie te geven waar ze op aast.
Hoe Anthony de boot afhoudt
  • Het fysieke incasseren: Anthony reageert niet verbaal. Hij spant zich fysiek aan en trekt zijn schouders strak om de klap van haar woorden te incasseren.
  • De ijzige blik: In plaats van te ontploffen, kijkt hij haar ijzig en strak aan. Het is een blik van gewonde trots.
  • De mislukte onverschilligheid: Hij probeert een totale onbewogenheid te veinzen. Alsof haar opmerking over de “zekere sopraan” hem niets doet.
https://www.google.com/search?q=Nederlandse+vertaling%2FViolet%3A+%E2%80%9CAnd+as+for+your+own+pursuits%E2%80%A6+Will+you+be+visiting+a+certain+soprano+whom+you+keep+in+an+apartment+that+you+pay+for+on+the+other+side+of+town%3F%E2%80%9D%0D%0A%E2%80%A6.%0D%0A%E2%80%A6..%0D%0A%E2%80%9DWhy+this+was+so+hurtful%3A%0D%0AThe+Dehumanization%3A+By+not+mentioning+her+by+name+%28%E2%80%9Ca+certain+soprano%E2%80%9D%29%2C+Violet+turned+Siena+into+an+object%2C+a+scandal%2C+rather+than+the+woman+her+son+loved.%0D%0AThe+Comparison+to+Edmund%3A+By+bringing+up+his+late+father+%28%E2%80%9CYour+father+would+never%E2%80%A6%E2%80%9D%29%2C+Violet+used+Anthony%E2%80%99s+greatest+trauma+as+a+weapon+to+force+him+to+give+up+Siena.%0D%0AThe+Financial+Sneer%3A+By+emphasizing+that+he+paid+for+her+apartment%2C+she+suggested+the+relationship+was+purely+transactional%2C+whereas+we+as+viewers+knew+that+Anthony+was+willing+to+give+his+life+for+her&sca_esv=2dd0b3b2c41daf7e&sxsrf=APpeQnt_yRjWDAbsxE_OxZbxqHbgDYnKZg%3A1782652716237&ei=LB9BaobcC_-0i-gP-4GOuQY&iflsig=ABILxe8AAAAAakEtPLUriYhUUuBo8WAt-iyqC9rCFohR&uact=5&sclient=gws-wiz&udm=50&fbs=ABfTbFUyxjQn9bne4DuflY2dNqqKbvlIcC736Ld1YUW461Eync997olHw4iGJeJyp_B6AzRLkjYOlPzXpNDKddLTXic6Nlh03v-1DbOXkUQw3hTi8Bva37Fs7-WhcdFvpJl1Yu-e6B4Np7r-fkkp8JDK6MnIsNSN0EQUjxq5SQkvKkfZj7U79HjMpV6SNxLKGaO0KEdREHMM2LuWNuY0ygc9ibEtWDWwOQ&aep=10&ntc=1&mstk=AUtExfCWfV8Vnx2p4V2_5FkoeRMfM1EvNBkhq5bASB0C_OyfDcaltBvDmm5Pnsq3rsFhMU-B8w9xsTLXFAetRHiLHrGlu229Nx5XLxkWeRMjMU-RQNLtdr1Kl8cnXvzOvLWraJJseSL7GYEhSG32hu8sx1O-SvHe0duhwro0Z7TOixzWM4Mp8Ay6tXWpRXDiI0oOspbqZelY6-OYekJbTmoSC7ib71uC1YmCd-7uY5dfPPZ6MwMqVeebNfqAsj5NCaA9cgkOwnhCdfGbkL4IrSKnk0p7V_CkhwYVhecF-YSk4Q8InMRipvI6bM1druH8R3hzQVDJWtYHTHNkw2PB8jRqAG8ZVCBwDcB_bA&aioh=3&csuir=1&cs=0&mtid=lyBBaqWVG7O3i-gP2_2F2Ao&lns_mode=cvst
AI OVERZICHT
Violets kleinerende houding is destructief juist omdat ze zelden expliciet uithaalt. Ze gebruikt passief-aggressief gedrag en manipulatieve stiltes om Siena te brandmerken als een onzichtbare, maar onmiskbare ‘zondige afleiding’ en een gevaar voor de familie.
Hier zijn drie specifieke voorbeelden uit Seizoen 1, beschreven en geanalyseerd om aan te tonen hoe Violet systematisch Siena’s waardigheid ondermijnt:
1. Het strategisch weglaten van haar naam (De tactiek van het doodzwijgen)
In alle scènes waarin Violet Anthony confronteert met zijn buitenechtelijke escapades, weigert ze consequent de naam ‘Siena’ uit te spreken.
  • De dynamiek: Door haar niet bij haar naam te noemen, weigert Violet Siena te erkennen als een mens van vlees en bloed. In Violets ogen is Siena geen vrouw met gevoelens, maar een abstract ‘probleem’ of een ‘zonde’ die moet worden opgelost.
  • Het effect: Dit is een van de meest kleinerende vormen van uitsluiting. Violet reduceert Siena hiermee tot een naamloze verleiding, een tijdelijke ziekte waarvan Anthony moet herstellen om zijn plichten als Viscount weer serieus te kunnen nemen.
2. Het dwangmatig inroepen van Edmunds erfenis (Schuldgevoel als wapen)
Telkens wanneer Anthony de balzaal verlaat of te laat komt voor Daphne’s presentatie, verweeft Violet haar berispingen rechtstreeks met de nagedachtenis van zijn overleden vader, Edmund.
  • De dynamiek: Violet zegt nooit rechtstreeks: “Je bent bij die minderwaardige operazangeres.” In plaats daarvan zegt ze met een kille, teleurgestelde blik: “Je vader zou eens moeten zien hoe je je plichten verwaarloost,” of “Als je wilt dat mensen naar je luisteren als Lord Bridgerton, zul je je daarnaar moeten gedragen.”
  • Het effect: Hiermee koppelt Violet Siena rechtstreeks aan Anthony’s morele falen. Zonder Siena’s naam uit te spreken, verandert ze haar in de belichaming van Anthony’s schuldgevoel. Siena wordt afgeschilderd als hét obstakel dat Anthony ervan weerhoudt om de waardige opvolger van zijn vader te worden.
3. De contrasterende lofzang op ‘respectabele’ vrouwen (De subtiele vergelijking)
Gedurende heel Seizoen 1 pusht Violet Anthony constant in de richting van de ‘huwelijksmarkt’ en prijst ze de deugden van jonge debutantes uit de hogere kringen.
  • De dynamiek: Tijdens het gezamenlijke ontbijt of op momenten dat ze Lady Whistledowns Society Papers leest, spreekt Violet vol lof over de “zuiverheid”, “elegantie” en “eerbaarheid” van geschikte huwelijkskandidaten. Ze doet dit terwijl ze Anthony indringend aankijkt.
  • Het effect: Dit is een vlijmscherpe, impliciete sneer naar Siena. Door te hameren op wat een vrouw ‘respectabel’ en ‘deugdzaam’ maakt, schetst ze een perfect profiel waaraan Siena — als werkende vrouw en operazangeres zonder adellijke status — nooit kan voldoen. Zo veroordeelt ze Siena indirect als een ‘onwaardige en destructieve’ zonde.
 
 
 
https://www.google.com/search?sca_esv=8a2e65840b27c7ea&sxsrf=ANbL-n4Lpd4mlymLRChEYNRmGCn3JdsjtQ%3A1779959946151&q=Graag+Nederlandse+vertaling%2FThe+Confrontation+in+the+Study+%28Episode+1%29%0AOne+of+the+most+powerful+confrontations+takes+place+in+the+family+study.+Violet+reminds+Anthony+of+his+responsibilities+as+head+of+the+household+and+calls+him+out+on+his+double+life%3A%0AThe+Confrontation%3A+Violet+directly+asks+Anthony+whether%2C+upon+leaving+the+room%2C+he+will+be+returning+to+his+own+home+or+paying+a+visit+to+%E2%80%9Ca+certain+soprano+across+town.%E2%80%9D%0AViolet%E2%80%99s+Message%3A+She+states+that+he+is+neglecting+his+duties+and+relying+on+his+younger+brothers+to+ultimately+do+the+work+he+%E2%80%9Ccannot%E2%80%9D+%28securing+an+heir+and+upholding+the+family+name%29.+She+ends+with+the+devastating+question+of+whether+he+is+merely+an+older+brother%2C+or+truly+the+%E2%80%9Cman+of+this+house.%0AThe+Dehumanization%3A+By+not+mentioning+her+by+name+%28%E2%80%9Ca+certain+soprano%E2%80%9D%29%2C+Violet+turned+Siena+into+an+object%2C+a+scandal%2C+rather+than+the+woman+her+son+loved.&nirf=Graag+Nederlands+vertaling%2FThe+Confrontation+in+the+Study+%28Episode+1%29%0AOne+of+the+most+powerful+confrontations+takes+place+in+the+family+study.+Violet+reminds+Anthony+of+his+responsibilities+as+head+of+the+household+and+calls+him+out+on+his+double+life%3A%0AThe+Confrontation%3A+Violet+directly+asks+Anthony+whether%2C+upon+leaving+the+room%2C+he+will+be+returning+to+his+own+home+or+paying+a+visit+to+%E2%80%9Ca+certain+soprano+across+town.%E2%80%9D%0AViolet%E2%80%99s+Message%3A+She+states+that+he+is+neglecting+his+duties+and+relying+on+his+younger+brothers+to+ultimately+do+the+work+he+%E2%80%9Ccannot%E2%80%9D+%28securing+an+heir+and+upholding+the+family+name%29.+She+ends+with+the+devastating+question+of+whether+he+is+merely+an+older+brother%2C+or+truly+the+%E2%80%9Cman+of+this+house.%0AThe+Dehumanization%3A+By+not+mentioning+her+by+name+%28%E2%80%9Ca+certain+soprano%E2%80%9D%29%2C+Violet+turned+Siena+into+an+object%2C+a+scandal%2C+rather+than+the+woman+her+son+loved.&sa=X&biw=1536&bih=730&dpr=1.25&udm=50&fbs=ADc_l-YVXsEZzhytyNnTsI7JDuuWmouMUEmoRp-1-DZ4prgtfFBxq3J59SJaB6QK93iDuRspGNBTdI-6hLtKQKhJMtf5d5c4HIKnStIHisy-Aui_Eqp4ssfTM9Qwl_huN8-DUU82t4MipS8slRdwgrdqwkqriJNU97Df-QH7_VV9EJ7SAFqbUoCn9-2fZGr12J2VQspsF6E3&aep=10&ntc=1&mstk=AUtExfAGUL3JI4kpDIyLCL2_Zgq6ngAvZ4865j9ZunzlQP3PqCF6BFbbSg7nJe5TSc7islylS8FrvpQzUdPbIF-WDL6Mf7SxCSSGbBYf5D4CMaMxEnhPvwIrIBF6TBllLov-Fn6W8JtQIPKf2cFk4k8znT37YvJwTRXwp94&aioh=3&csuir=1&cs=0&mtid=Z6hDapPYFs7_7_UPrdDFiQk&lns_mode=cvst&atvm=1

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NOOT 5/OVERPEINZING

[5]
AI-overzicht
Uw analyse van de sociale dynamiek tussen Anthony Bridgerton en Siena Rosso in Bridgerton is zeer treffend voor het Regency tijdperk. Hier is de Nederlandse vertaling van uw uiteenzetting, verrijkt met historische context over dit intrigerende liefdesverhaal: [123]
De reputatie van artiesten: Gedurende het Regency tijdperk werden vrouwen die op het podium stonden—inclusief actrices en operazangeressen—door de aristocratische elite (de ‘Ton’) vaak gezien als immoreel of lichtzinnig. Omdat zij in het openbaar optraden voor geld en financieel onafhankelijk waren, werden zij als onfatsoenlijk beschouwd in vergelijking met de afgeschermde, beschermde levens van adellijke vrouwen. [1234]
Het huwelijk als absolute ‘no-go’: Een huwelijk tussen een aristocraat (zoals een burggraaf) en een zangeres werd gezien als een schandaal. Het werd beschouwd als een mésalliance (een huwelijk met iemand van lagere sociale status) dat de reputatie van zijn familie zou ruïneren. Dit is precies waarom Lady Violet Bridgerton zo’n verbintenis als onmogelijk zou hebben beschouwd. [12345]
Openbare beperkingen: Vanwege het zware maatschappelijke stigma waren openbare uitjes voor dergelijke stellen uit den boze. Ze konden niet gezellig dineren in chique restaurants in Mayfair, flaneren op populaire plekken zoals Kew Gardens, of zich samen vertonen op exclusieve society-evenementen zoals Almack’s. [123]
Isolement in de privésfeer: Door deze extreme sociale restricties speelde hun relatie zich uitsluitend af in de privésfeer—voornamelijk achter gesloten deuren. Dit was noodzakelijk om te voorkomen dat Anthony’s aanzien in de hogere kringen van de maatschappij werd vernietigd. [123]
OVERZICHT ANDERE AI
2. De historische context: “Sociale dood”
Tijdens het Regency tijdperk was de “sociale dood” geen metafoor, maar een genadeloze realiteit met verwoestende gevolgen:
  • Familiebesmetting: Als Anthony (als gezinshoofd!) met een operazangeres was getrouwd, werd niet alleen híj verbannen. De voltallige familie Bridgerton zou direct van alle gastenlijsten zijn geschrapt.
  • Huwelijkscansen van de zussen: Voor Daphne, Eloise, Francesca en Hyacinth zou de schade onherstelbaar zijn. Geen enkele edelman van stand zou een meisje ten huwelijk vragen wiens broer “in de goot was getrouwd”. Ze waren effectief gedoemd tot een leven als ongetrouwde tantes in de zijlijn.
  • Economisch en politiek isolement: De macht van een Burggraaf stoelde op zijn netwerk. Zonder toegang tot de herenclubs, de bals en de politieke kringen van de ton, zou Anthony zijn invloed volledig verliezen—en daarmee het vermogen om de belangen van zijn familie te beschermen.
  • De “Demimonde”: Siena behoorde tot de demimonde (de halfwereld). Hoewel aristocratische mannen deze wereld mochten bezoeken voor vermaak, werd het overschrijden van de grens door middel van een huwelijk gezien als de ultieme zonde.

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NOOT 4/OVERPEINZING

[4]
ASTRID ESSED IN GESPREK MET AI

Vind je dat deze diepe mannenvriendschap tussen Simon en Anthony eigenlijk de enige plek was waar Anthony echt zichzelf kon zijn, nog voordat Kate in zijn leven kwam?/[COMMENT ASTRID ESSED AAN AI]/Volgens mij wel, ja

ANTWOORD AI
Dat is een pijnlijke maar rake conclusie. Simon was de enige die Anthony niet zag als een

pion op het schaakbord van de familie. Voor Violet was Anthony de “Viscount” die de naam moest hooghouden; voor zijn broers en zussen was hij de “strenge patriarch” die de rekeningen betaalde. Alleen bij Simon kon hij simpelweg Anthony zijn.

Deze vriendschap was zijn enige veilige haven om de volgende redenen:
  • Geen sociale maskers: Simon kende Anthony al uit hun losbandige studententijd in Oxford. Hij wist wie Anthony was voordat de dood van Edmund hem dwong om dat kille masker op te zetten. Bij Simon hoefde hij niet de onfeilbare leider te spelen.
  • Gedeelde trauma’s: Beiden waren beschadigd door hun ouders. Waar Simon een vader had die hem haatte, had Anthony een moeder die hem “verstikte” met plicht en zijn liefde voor Siena saboteerde. Ze begrepen elkaars littekens zonder woorden, iets wat binnen de muren van Bridgerton House onmogelijk was.
  • De erkenning van Siena: Simon was de enige die de ernst van de relatie met Siena niet veroordeelde. Door Anthony toe te staan om om haar te rouwen, gaf Simon hem de menselijkheid terug die Violet hem had afgenomen door het een “gril” te noemen.
Het is diep tragisch dat Anthony zich bij een vriend die hij bijna had neergeschoten veiliger voelde dan bij de moeder die hem had opgevoed. Het onderstreept nogmaals hoe groot de emotionele kloof was die Violet had gecreëerd. Simon was de enige die de “echte” Anthony in leven hield totdat Kate kwam om hem definitief te bevrijden.
https://www.google.com/search?q=De+aanval%3A+Lady+Danbury+confronteert+Violet+met+het+feit+dat+zij+Anthony+heeft+laten+verharden.+Ze+zegt+%28vrij+vertaald%29%3A+Je+hebt+je+eigen+verdriet+om+Edmund+als+een+schild+gebruikt%2C+en+in+die+schaduw+heb+je+Anthony+laten+bevriezen.+Je+hebt+van+hem+een+man+gemaakt+die+bang+is+voor+zijn+eigen+hart.+%2FLady+Danbury+had+het+ook+over+de+geest+van+Anthony%2C+waarbij+zij+naa+Siena+verwees+en+Violet+reageerde+door+de+refereren+aan+grillen%2C+terwijl+zij+wist%2C+dat+het+om+echte+liefde+ging+Je+slaat+de+spijker+op+de+kop.+Dat+specifieke+moment+in+de+dialoog+legt+de+hypocrisie+van+Violet+bloot%3A+ze+noemt+het+een+gril+%28whim+of+fancy%29+om+haar+eigen+geweten+te+sussen%2C+terwijl+ze+donders+goed+aan+Anthony+s+ogen+zag+dat+het+bittere+ernst+was.+Lady+Danbury+doorziet+dat+masker+direct.+Hier+is+hoe+die+dynamiek+tussen+hen+werkte%3A+Het+woord+Geest+%3A+Lady+Danbury+gebruikt+dat+woord+heel+bewust.+Ze+ziet+dat+Anthony+fysiek+aanwezig+is+als+Viscount%2C+maar+dat+zijn+geest+gebroken+is.+Ze+refereert+aan+de+passie+en+de+man+die+hij+was+bij+Siena%E2%80%94iemand+die+kon+lachen%2C+zingen+en+vurig+liefhebben%E2%80%94en+die+nu+is+veranderd+in+een+kille+machine.+Violets+ontkenning%3A+Door+Siena+als+een+gril+weg+te+zetten%2C+probeert+Violet+de+schade+te+minimaliseren.+Als+het+slechts+een+bevlieging+was%2C+dan+was+haar+ingrijpen+gepast+.+Maar+Lady+Danbury+snoert+haar+de+mond+door+erop+te+wijzen+dat+je+een+man+niet+tot+op+het+bot+bevriest+om+een+bevlieging%3B+dat+doe+je+alleen+als+je+een+fundamenteel+deel+van+zijn+ziel+aanvalt.+De+spiegel%3A+Lady+Danbury+dwingt+Violet+om+te+erkennen+dat+Anthony+s+huidige+onvermogen+om+Kate+toe+te+laten+niet+uit+koppigheid+voortkomt%2C+maar+uit+angst.+De+angst+die+Violet+zelf+heeft+geplant+toen+ze+hem+liet+voelen+dat+zijn+liefde+voor+Siena+vies+of+onverantwoordelijk+was.+Het+is+een+van+de+weinige+keren+dat+iemand+Violet+echt+ter+verantwoording+roept+voor+de+emotionele+moord+op+Anthony+s+eerste+grote+liefde.+Lady+Danbury+was+de+enige+die+de+moed+had+om+te+zeggen%3A+Je+hebt+hem+gered+voor+de+Ton%2C+maar+je+hebt+hem+verloren+voor+de+liefde.&sca_esv=3902f2b246b46b37&sxsrf=ANbL-n4bS-f0PiJyI5zDKKn4_isUG6k5Xg%3A1774473582194&ei=blHEaZmfCuGH9u8PiLGskA8&iflsig=AFdpzrgAAAAAacRffmtxpnvF1CHvz5BhKRTCYEs1ZUAa&ved=2ahUKEwiGztOd_buTAxVz_rsIHbTjHGIQ0NsOegQIAxAB&uact=5&sclient=gws-wiz&fbs=ADc_l-YGrpJMQtvjQ6h14rj-dfIrGHtbS2sKx-L4Fs6XrHXZTgGannR8EMMZSoXcZI253NkQbXHBm2OWC8p5lK2U3SVcyuIF8Dl9tzeXjGbLTH4XlhEkwY-RtT0xoeQECFTRzTxxatWMSAusQF4sXD0p25-BqgmaKaU3-cDRdbCjK9IiQ8_He6oGyisngXi-FNYOg6TwuuaE&aep=10&ntc=1&mstk=AUtExfBV93LTh9-8REEMaZNl7T5cmgWrwTLRslwavDxim2skoENjWZD9L6powq83UHQjrKP_1uIn8ADpj_NfdLW7lcXwQ835nvN_KXibx-AkSH1Tgu-RgpzxOTmZQiKjLt13pAyqPCAE_npnWtTcWvZJOpGG5-iW6siykomyUKZ_mBmtYCbdvtsVXzn4l-zHMglhgELgUtcwwXm8K2h1GjM6E-tkxWaAsJu3GuL2rx4ivmil3RMqdNskQGlSU5kfLu524GufOGLlyw3jS_wqMKW5kjWt66MeN_xYcmpC3ebr0PvPptvGjlyD36l95yTBVr64KJeSPybq2UyY4oPTA38ptWL2dFKTUWylzw&csuir=1&mtid=q1HEaazxF-C69u8Pi6BY&udm=50

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NOOT 3/OVERPEINZING

[3]
VRAAG ASTRID ESSED AAN AI
Een adellijke moeder in Regency Tijd, die weduwe is, dwarsboomt de intense\ liefdesrelatie van haar zoon, die Hoofd van de Familie is, met een opera zangeres,waarvan de zoon kapot is/Later gaat hij van een ander meisje houden, dat door zijn moeder wordt geaccepteerd omdat ze tot hun kringen behoort/Blijft er dan toch wrok naar zijn moeder om haar eerdere sabotage, vooral als zij daarover nooit excuses aanbood
AI ANTWOORD
AI-overzicht
In de adellijke kringen van de Regency-periode is het zeer waarschijnlijk dat een zoon levenslange wrok blijft koesteren tegen zijn dominante moeder. Haar eerdere sabotage van zijn grote liefde, gecombineerd met haar aanhoudende trots en het uitblijven van excuses, wrikt fundamenteel aan de vertrouwensband en hun familieverhouding.
Waarom de wrok blijft bestaan
  • Ouderlijk gezag versus volwassenwording: Zelfs als het Hoofd van de Familie volwassen is, blijft de adellijke moeder (vaak de weduwe van de vorige patriarch) traditioneel een gigantische autoriteit. Haar weigering om haar fout toe te geven, voelt voor de zoon als een blijvend gebrek aan respect voor zijn autonomie.
  • Verraad van zijn geluk: Omdat hij diep gekwetst was door het verlies van de operazangeres—vaak beschouwd als een ‘ongepaste’ klasse in die tijd—ziet hij haar inmenging niet als bescherming van de familietraditie, maar als puur egoïsme.
  • Emotionele kilte: Het feit dat zij zijn nieuwe, wél goedgekeurde verloofde accepteert, wrijft juist zout in de oude wonden. Het bevestigt voor hem dat zijn moeder hem als pion gebruikte in plaats van zijn geluk te ondersteunen.
De impact op de nieuwe relatie
Hoewel het nieuwe meisje perfect binnen de adellijke kringen past en de moeder daarom tevreden is, kan de zoon deze situatie met gemengde gevoelens ervaren. Enerzijds is er opluchting, omdat dit huwelijk maatschappelijk wordt geaccepteerd en plichtsgetrouw is. Anderzijds voelt de alliantie wrang aan. Het doet hem beseffen dat de harmonie in de familie puur gebaseerd is op uiterlijke schijn en standaarden, in plaats van op oprechte moederliefde en begrip.
Psychologische dynamiek
Omdat de moeder haar excuses nooit heeft aangeboden, kan dit de relatie tussen moeder en zoon voorgoed veranderen. De zoon zal zich waarschijnlijk emotioneel terugtrekken. Hij vervult dan nog wel zijn plichten als Hoofd van de Familie, maar de affectie en het respect voor zijn moeder maken plaats voor afstandelijkheid en een stille, onderhuidse bitterheid.
https://www.google.com/search?q=Een+adellijke+moeder+in+Regency+Tijd%2C+die+weduwe+is%2C+dwarsboomt+de+intense%5C+liefdesrelatie+van+haar+zoon%2C+die+Hoofd+van+de+Familie+is%2C+met+een+opera+zangeres%2Cwaarvan+de+zoon+kapot+is%2FLater+gaat+hij+van+een+ander+meisje+houden%2C+dat+door+zijn+moeder+wordt+geaccepteerd+omdat+ze+tot+hun+kringen+behoort%2FBlijft+er+dan+toch+wrok+naar+zijn+moeder+om+haar+eerdere+sabotage%2C+vooral+als+zij+daarover+nooit+excuses+aanbood&sca_esv=16c2f173e47a52dc&biw=1280&bih=585&sxsrf=APpeQnsBwpTw82mW63g5xeFrFToa8m1Ujw%3A1782814567236&ei=Z5dDarr_DbOki-gP6YHQiQs&uact=5&sclient=gws-wiz-serp&udm=50&fbs=ABfTbFUyxjQn9bne4DuflY2dNqqKxYAWFhLCpnjf3OsLbYdPHfeLRBbUdax8XIDisZsbNPMegIQzUsa4JCn1YSkvXcqL2vBeGVbea-Al2nduh-wu03ZCCac4V33yKZU_4pj59rSzK4QFLYLtDjlV60PTTPjOZwqdM137BHtba0dUxzHxEAKInD-IaaiiTF9EakWNojSTsNYm&aep=10&ntc=1&mstk=AUtExfDV75XovgWVkepdl6zZA4C5gvVq8FT38eHkuUqb-a6mLZzQS-LoqEdNIuvh5ZNg1n5xQk5WRGtAhrWedP2dkSFxznbefW2-tDHS970GFGOKKFgOqxIGapbknWabYZWUik3fzEeOx8Gw6lVNfIgwfZNwWHIXxEVQM8hhvjiy3L3p1psRbiaTXNMgZ2UOUmIPcD1HmlBxqayY2XmvVcbcoLubLRgqF933WZx4Nt9rujSNFajckoji6fE8M0ZqmojYCScmXIBlmPFPVi_aQZ_IEJwgd4fd-2h810qWvi3LyiSF2y-aZdkVWZOaNLQ5p9KXHZzvo22pcmQnhA&aioh=3&csuir=1&cs=0&mtid=1ZhDau74G_H_7_UP64qdgAU&lns_mode=cvst

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NOOT 2/OVERPEINZING

[2]
ASTRID ESSED IN GESPREK MET AI

Omdat de ton (de adellijke kring) haar acties destijds volledig zou legitimeren, voelt Violet tot op de dag van vandaag waarschijnlijk geen enkele morele noodzaak om specifiek voor die sabotage excuses aan te bieden./[COMMENT ASTRID ESSED AAN AI] Klopt, en dat heeft geleid tot een blijvende koelte tussen haar en Anthony/Want ook ondanks zijn latere geluk met Kate en na zijn huwelijk handhaaft hij zijn koele beleefdheidsbetrachting en gaat hij op het platteland wonen

ANTWOORD AI
Je legt hier de vinger op de zere plek van hun dynamiek na Seizoen 2 en 3. De verhuizing van Anthony en Kate naar Aubrey Hall (het landgoed op het platteland) is inderdaad de ultieme, tastbare uiting van die blijvende koelte en emotionele afstand.
In je artikel kun je deze verhuizing en zijn formele houding prachtig analyseren als een vorm van geografische en emotionele grenzen stellen:
De verhuizing naar het platteland als statement
  • Ontsnapping aan de controle: Door fysiek afstand te nemen van Londen—en dus van het adellijke socializen waar Violet de koningin van is—trekt Anthony een duidelijke streep. Hij kiest voor een leven waarin hij de regels bepaalt, ver weg van de druk en het oordeel van zijn moeder.
  • Bescherming van zijn eigen gezin: Nu hij met Kate zijn eigen gezin sticht, beschermt hij zijn nieuwe geluk tegen de voorwaardelijke liefde en de elitaire blik van Violet. Hij creëert een veilige bubbel waarin de schaduw van het verleden (en Siena) geen rol speelt.
https://www.google.com/search?q=Een+adellijke+moeder+in+Regency+Tijd%2C+die+weduwe+is%2C+dwarsboomt+de+intense%5C+liefdesrelatie+van+haar+zoon%2C+die+Hoofd+van+de+Familie+is%2C+met+een+opera+zangeres%2Cwaarvan+de+zoon+kapot+is%2FLater+gaat+hij+van+een+ander+meisje+houden%2C+dat+door+zijn+moeder+wordt+geaccepteerd+omdat+ze+tot+hun+kringen+behoort%2FBlijft+er+dan+toch+wrok+naar+zijn+moeder+om+haar+eerdere+sabotage%2C+vooral+als+zij+daarover+nooit+excuses+aanbood&sca_esv=16c2f173e47a52dc&biw=1280&bih=585&sxsrf=APpeQnsBwpTw82mW63g5xeFrFToa8m1Ujw%3A1782814567236&ei=Z5dDarr_DbOki-gP6YHQiQs&uact=5&sclient=gws-wiz-serp&udm=50&fbs=ABfTbFUyxjQn9bne4DuflY2dNqqKxYAWFhLCpnjf3OsLbYdPHfeLRBbUdax8XIDisZsbNPMegIQzUsa4JCn1YSkvXcqL2vBeGVbea-Al2nduh-wu03ZCCac4V33yKZU_4pj59rSzK4QFLYLtDjlV60PTTPjOZwqdM137BHtba0dUxzHxEAKInD-IaaiiTF9EakWNojSTsNYm&aep=10&ntc=1&mstk=AUtExfDV75XovgWVkepdl6zZA4C5gvVq8FT38eHkuUqb-a6mLZzQS-LoqEdNIuvh5ZNg1n5xQk5WRGtAhrWedP2dkSFxznbefW2-tDHS970GFGOKKFgOqxIGapbknWabYZWUik3fzEeOx8Gw6lVNfIgwfZNwWHIXxEVQM8hhvjiy3L3p1psRbiaTXNMgZ2UOUmIPcD1HmlBxqayY2XmvVcbcoLubLRgqF933WZx4Nt9rujSNFajckoji6fE8M0ZqmojYCScmXIBlmPFPVi_aQZ_IEJwgd4fd-2h810qWvi3LyiSF2y-aZdkVWZOaNLQ5p9KXHZzvo22pcmQnhA&aioh=3&csuir=1&cs=0&mtid=1ZhDau74G_H_7_UP64qdgAU&lns_mode=cvst

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NOOT 1/OVERPEINZING

[1]
AI-overzicht
Uw analyse van de sociale dynamiek tussen Anthony Bridgerton en Siena Rosso in Bridgerton is zeer treffend voor het Regency tijdperk. Hier is de Nederlandse vertaling van uw uiteenzetting, verrijkt met historische context over dit intrigerende liefdesverhaal: [123]
De reputatie van artiesten: Gedurende het Regency tijdperk werden vrouwen die op het podium stonden—inclusief actrices en operazangeressen—door de aristocratische elite (de ‘Ton’) vaak gezien als immoreel of lichtzinnig. Omdat zij in het openbaar optraden voor geld en financieel onafhankelijk waren, werden zij als onfatsoenlijk beschouwd in vergelijking met de afgeschermde, beschermde levens van adellijke vrouwen. [1234]
Het huwelijk als absolute ‘no-go’: Een huwelijk tussen een aristocraat (zoals een burggraaf) en een zangeres werd gezien als een schandaal. Het werd beschouwd als een mésalliance (een huwelijk met iemand van lagere sociale status) dat de reputatie van zijn familie zou ruïneren. Dit is precies waarom Lady Violet Bridgerton zo’n verbintenis als onmogelijk zou hebben beschouwd. [12345]
Openbare beperkingen: Vanwege het zware maatschappelijke stigma waren openbare uitjes voor dergelijke stellen uit den boze. Ze konden niet gezellig dineren in chique restaurants in Mayfair, flaneren op populaire plekken zoals Kew Gardens, of zich samen vertonen op exclusieve society-evenementen zoals Almack’s. [123]
Isolement in de privésfeer: Door deze extreme sociale restricties speelde hun relatie zich uitsluitend af in de privésfeer—voornamelijk achter gesloten deuren. Dit was noodzakelijk om te voorkomen dat Anthony’s aanzien in de hogere kringen van de maatschappij werd vernietigd. [123]
OVERZICHT ANDERE AI
2. De historische context: “Sociale dood”
Tijdens het Regency tijdperk was de “sociale dood” geen metafoor, maar een genadeloze realiteit met verwoestende gevolgen:
  • Familiebesmetting: Als Anthony (als gezinshoofd!) met een operazangeres was getrouwd, werd niet alleen híj verbannen. De voltallige familie Bridgerton zou direct van alle gastenlijsten zijn geschrapt.
  • Huwelijkscansen van de zussen: Voor Daphne, Eloise, Francesca en Hyacinth zou de schade onherstelbaar zijn. Geen enkele edelman van stand zou een meisje ten huwelijk vragen wiens broer “in de goot was getrouwd”. Ze waren effectief gedoemd tot een leven als ongetrouwde tantes in de zijlijn.
  • Economisch en politiek isolement: De macht van een Burggraaf stoelde op zijn netwerk. Zonder toegang tot de herenclubs, de bals en de politieke kringen van de ton, zou Anthony zijn invloed volledig verliezen—en daarmee het vermogen om de belangen van zijn familie te beschermen.
  • De “Demimonde”: Siena behoorde tot de demimonde (de halfwereld). Hoewel aristocratische mannen deze wereld mochten bezoeken voor vermaak, werd het overschrijden van de grens door middel van een huwelijk gezien als de ultieme zonde.

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NOOT 1A/OVERPEINZING

[1A]
AI-overzicht
Het spreekwoord “wie wind zaait, zal storm oogsten” betekent dat wie negatieve acties onderneemt of onrust stookt, daar uiteindelijk zelf de zware gevolgen van zal ondervinden. Kleine provocaties of problemen leiden vaak tot veel grotere, onbeheersbare moeilijkheden als reactie. [123]
De uitdrukking kent de volgende belangrijke achtergronden:
  • Oorsprong: De uitdrukking is afkomstig uit de Bijbel (het boek Hosea 8:7). In de landbouw levert een klein beetje gezaaide wind onvermijdelijk een zware wervelwind (storm) op. [12]
  • Gevolg en schuld: Het geeft aan dat je de verantwoordelijkheid draagt voor je eigen daden en dat de reactie daarop vaak disproportioneel heftig is. [12]

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Sex under the Boxing PLatform between Anthony and Siena/Fun, Desperation and Love/What really happened

ffff1647d32d114d3cae3f229d23d944.jpg
ffff1647d32d114d3cae3f229d23d944.jpg
ANTHONY AND SIENA/LOVE SCENE  AT THE BOXING PLATFORM
ANTHONY AND SIENA/LOVE SCENE  AT THE BOXING PLATFORM
SEX UNDER THE BOXING PLATFORM BETWEEN ANTHONY AND SIENA/FUN, DESPERATION AND LOVE/WHAT REALLY HAPPENED
FOLKS, HAVE YOU EVER LOOKED THE FUNNY SEX SCENE
UNDER THE BOXING PLATFORM THROUGH THE EYES OF ANTHONY AND SIENA THEMSELVES? HERE WE GO
………………..
……………….
HALLO FOLKS
Here she is again, your dedicated Bridgerton Fan
As you’ll know, I wrote a lot about Bridgerton [1], especially about the relationship between Lady Violet and her son Anthony, the Love Relationship between Anthony and opera singer Siena AND [2] about Siena herself, who is often underrated in the series, but deserves her own Platform of Honour, not only as an independent woman with her own career, long before she even met Anthony Bridgerton, but as the woman, who gave him warmth and love in the time his mother not only neglected him emotionally [what she could partially be forgiven for because of her own mourning after her husband’s death] [3], but also blackmailed him emotionally with his death father and coldly dehumanized Siena, whom he then deeply loved. [4]
And that IS unforgivable, something no mother should do to her own child.
Because understanding Violet’s motives for her objection to the Anthony and Siena Relationshiop is one thing [4A]
Acting as if her son’s great love is no human Being is a quite other Matter…..[4B]
And especially because of the love and warmth Siena gave Anthony in that Dark Period of his life with a mother who also laid an immense pressure on him, although unconsciously [5], she deserves her own Honour, which I was proud to give her! [6]
NOW:
Because of the pressure of society, increased by the immense pressure of Anthony’s mother Lady Violet [and bear in mind that however horrible her behaviour, essentially she loves him, but lashing out in social panic] [7], they have an on/off relationship [8] and on the moment of the sex scene
under the Boxing Platform, it is temporarily off again……
Now I take you to the Scene under the Boxing Platform, preceded by their
passionate glances at each other………
IS THAT FUN?
EXCITEMENT?
DESPERATION?
CRAZINESS?
FUN?/FUN
IMAGINE A MAN AND HIS BELOVED ONE HAVING SEX UNDER A
BOXING PLATFORM
WHAT WOULD YOU THINK?
I know what you think, because that’s what I think
Thought and still think
HAHAHAHA
Excitement, recklessness and craziness
And that’s all that
Excitement for US Fans and viewers to see
The Thrill, the Tension, the Passion.
EXCITEMENT!
The Tension is still increased by the fact, that the man and woman not only have sex under a Boxing Platform, during the match, with all the noise, roaring of the crowd, dust, with the boxing men above the Platform, BUT that the woman in question is present there with another man!
And that when they embrace, the other man is still sitting in public, watching the box show……
RECKLESSNESS!
The Recklessness is obvious.
Because it is an illicit Affair [between an aristocrat and an opera singer] [9] the tension is obvious, leading to recklessness.
But what do you do when it is not ”just sex” [10], but really Love and it is extremely difficult to be together? [11]
You take risks
Now HE is there with his brothers [no such problem, since his brothers will be loyal], but SHE is there with another man and the risk of danger, a fight when it is discovered is present……
CRAZINESS
Can you imagine such craziness?
Just make love under a Boxing Platform, with above a cheering crowd,
the risk of discovery, the noise, the dust?
It IS Crazy….
But when all things are said and done and we admit that having sex like that is thrilling for us to see [watch the scene] [12] but FOR THEM [Anthony and Siena] it IS  risky, exciting and crazy at the same time….
The Question arises
Is this Boxing Scene [13] just FUN and AMUSEMENT
Or is there more…….
JUST TRAVEL WITH ASTRID ESSED TO THE VERY LOCATION WHERE THIS TAKES PLACE………….
Now let’s take a closer look at what really happened…..
‘ANTHONY AND SIENA/SEXSCENE  UNDER THE BOXING PLATFORM/WHAT REALLY HAPPENED
IMAGINE FOLKS, WE ARE IN THE PUBLIC, WATCHING THE BOXING MATCH……
Imagine we’ve bought a cheap ticket, enjoying the match, sitting beneath, between all those shouting, steaming and screaming people.
The Lords and other rich people are upstairs, having the best seats, looking down on us and the match.
Then suddenly we recognize the three rich and trendy  Bridgerton brothers, cheering just as enthusiastically as we, the common people,  encouraging the boxers.
What WE don’t know is that one of the brothers, the eldest, Viscount Anthony Bridgerton and Head of the Family [13A], is not just watching the show, but is suddenly distracted by someone, who means a lot to him and with whom he is passionately in love, but they’ve temporarily split up, since it was an on/off relationship due to society pressures and their passionate characters[14]
He is just staring at her, not interested in the match anymore.
But since his love affair is illicit, due to social barriers [15] and the fierce resistance and dehumanizing behaviour of his dominant mother against his beloved one [16], he can’t approach her openly.
So he looks at his brothers furtively but seeing that they only have eyes for the boxing match, he resumes his obsessive staring at the woman he loves and can’t give up.  [16A]
Then, in the scene, the music is almost unheimlich.
Initially she doesn’t notice him, being there with another man out of survival necessity, since Anthony had ended their relationship [ not for the first time] [16B], not realizing that he left her without any livelihood [ignorant of her precarious position  not due to lack of love, but because of his spoiled rich boy’s privilege] [17]
But you know how it is:
If someone stares at you continually, you suddenly ”feel” it
So happened to Siena.
Suddenly she looks up and sees him and then something magical happens:
As if they were gravitated to each other, they intensily watched each other as if there were no other people in the hot, crowded and steaming Boxing Space……..
What Siena did NOT see was that her companion, the man she was with, [a draper] suddenly got startled, seeing Anthony staring.
He must have thought: Now I’ve lost her
In Siena’s watching Anthony was a mixture of sorrow, intensity, pride but also
loving fear since she felt the intensity of his feelings.
As if she thought:
”I will never escape him” [18]
And that was exactly what HE thought:
”You will never escape me….” [18A]
Obsessed as he was by true love
Because so many times he broke off the relationship or she did,  but because of their deep love for each other  they always got back together.[19]
Now it is very unlikely, FOLKS, that we would have seen those desperate glances to each other, as we only knew them  superficially [Anthony as great Lord, galloping past us and more likely Siena Rosso as opera singer], because after all we came for the match and we didn’t belong to the Ton members [20], so not knowing the [in Ton eyes] scandalous Anthony and Siena Affair. [21]
The only thing WE might perhaps  notice was that Anthony Bridgerton suddenly left the Boxing Space and that, later, Siena Rosso left too.
But it would have escaped our attention, that there was a connection between the Viscount and the opera singer leaving the Boxing Room  shortly after each other…..
ANYWAY
They  found themselves at the least romantic Place, UNDER the Boxing Scene, far from the  prying eyes of the Ton [22] and the undoubtedly shocked gazes of Anthony’s mother [23], the Only Place where they could be together at the moment, with above them the noise and screaming
of the crowd and the heavy blows of the fighting boxers landing in the ring.
And there, at that dusty and semi dark Place, they embraced each other with a fierce , almost desperate intensity, she pushing him to the wall and almost tore his clothes off……while he was standing there in total surrender to the woman he loved…….[24]
ANTHONY AND SIENA/SEXSCENE UNDER  THE BOXING PLATFORM/FUN, DESPERATION AND LOVE
THROUGH THE EYES OF ANTHONY AND SIENA
DESPERATION AND LOVE
PUT YOURSELF IN THEIR SHOES….
Okay Folks, we have had our hot, intense and funny Sex Scene between
Anthony and Siena under the Boxing Platform! [25]
Even more exciting because of
 THE RISK OF A CONFRONTATION BETWEEN TWO MEN WANTING THE SAME WOMAN……[26]
But now what about Anthony and Siena THEMSELVES?
You think they enjoyed this on the same way we did?
In Other Words:
DID THEY FOUND IT FUNNY, HOT AND SPICY TOO ?
COMMENTING……………..
…………………..
Perhaps  it HAD a ”thrilling”, ”daring” and ”reckless” Element for them too.
Something like ”We against the World” [27]
After all
They were young, passionate in love
But WAS it Just ”FUN” for them?
PUT YOURSELF IN THEIR SHOES…….
Imagine you are a young aristocrat in Regency Era or no, Imagine you are just yourself, that’s more easy, since we are no Ton People [28], at least most of us aren’t
You are young and you are desperately in love.
But you can’t be with your loved one, due to some bigotic rules.
You can’t see each other in public.
That means:
Not going for some walk, not eating in restaurants, not going
to the movies, not going to a dance.
Even when you see each other in public, you have to avoid eye contact or only can nod briefly at each other, while all you truly want is to be together.
And if that’s not worse enough, the people who are supposed to love you, like your mother, are dehumanizing your Love Affair, as if your love is sordid.
So Love itself becomes a crime…….
And the only places where you can see each other without limitations of society are in private spaces like rented apartments, dark places, etc
In Short:
Places where others can’t see you
Did I already say, that a marriage between those two loved ones is impossible?
Well, I think you have understood that already……………
WELL FOLKS, THAT WAS THE SITUATION ANTHONY AND SIENA WERE IN
Although the Ton had no objection against an Affair between a young aristocrat and an opera singer, when it was a mere ”distraction” the ”unwritten rules” were, that they kept it in the dark , like I described above.
Now that can be hot and Funny, when there are no real feelings involved, but what if they are in love with each other, as happened to Anthony and Siena [29]?
YES, that was a Major Problem.
Because playing some Sex in the dark, when there are no real feelings involved is one thing [although it of course is ridiculous that you can’t be seen, even when it is just sex] [30], but when you love each other, you want to be together in public, in ”’the Light”
You want to walk together in Kew Gardens, wine and dine in restaurants, going out together.
In Short:
Do what people in love do.
That it is a major and serious Blow to someone’s emotional State that you are forbidden to be openly with the one you love, everyone understands.
To your Information, Astrid Essed asked an AI what it does emotionally with a young Regency Aristocrat, when being in love with an opera singer and prohibited to be together on a normal way. [30A]
It triggers feelings like deep melancholy, bitter psychological anguish, and a crushing sense of powerlessness. [31]
And Anthony also had to face the bitter reality, that being the Eldest son and the Head of the Family [32] his position was even more emotionally precarious, also suffering feelings of pervasive guilt [torn between his position as Head of the Family and the Feelings of his Heart] , and a painful sense of powerlessness [33], still enlarged by the fact, that being Head of the Family didn’t give him more power to follow his own heart desires, but forced him to choose between his duty and his Heart [33A]
ANTHONY AND SIENA/SEXSCENE UNDER  THE BOXING PLATFORM/FUN, DESPERATION AND LOVE
THROUGH THE EYES OF ANTHONY AND SIENA
DESPERATION AND LOVE
So Folks, THAT was their REAL SITUATION
Apart from All the Fun, Thrill, Excitement and ”Recklessness”’
Due to their impossible situation, strictly forbidding [from perspective of Ton Society] a marriage between an aristocrat and operasinger on pain of the social death [34], they had to hide as criminals [35], which caused a severe painful State to Anthony and Siena, who was already stigmatized by her occupation as operasinger [36]
It was heartbreaking to see  the expression of pain on Anthony’s face when he said in another Scene to Siena, meeting her  on the Eve of the Duel
””If I live to see sunrise I’m free…..free of society….free of these rules
the very ones that keep us apart…we can go together away from all this Siena…..” [37]
And that painful Expression on his Face revealed all the Pain, the Sorrow, the Depression and the Anguish this Forbidden Love caused……
Then NOW People will understand, why it was an on/off Relationship, due to all this societal and familial pressure [think of the personal pressure of Anthony’s mother Lady Violet, although stemming from understandable social fear, yet dehumanizing to Siena personally and by proxy hurting her own son, for which is no excuse] [38]
SEX AND EXCITEMENT/NOT [ONLY] A GAME
You must view this Spicy Sex Scene under the Boxing Platform [39] against this Background.
Apparently their Relationship was split up again and Siena, with pain in her heart had begun a new life with another man, a draper [40], from bare necessity of survival [41]
Then she goes to the Boxing Show with him and looking at her face you can see she is not all that happy, since she misses her Great Love.
Anthony is at the show with his brothers, initially enthusiastically seeming to watch the show [we will never know if he went to the show spontaneously or followed Siena and her new man].
Then suddenly his enthusiastic face changes into a look of passionate, nearly obsessed love, staring at her as if she is alone in that Space, as if to say:
”Being with another or not, you only belong to me”
When she eventually sees him [people feel when someone is staring at them] , she stares at him with an expression of sorrow, pain, loss, love, but also with the startled expression of someone who thinks:
”I will never escape him…” [42]
YOU SEE THE DESPERATION  NOW?
Because he can’t just speak to her or greet her in public [43], let alone make an appointment [44], he has to resort to extreme measures.
So he stares obsessively at her until she feels it and stares back just intensely [45]
In his obsessive staring, he claims her, ignoring the fact that she is there with another man.
And they both long for each other so much, that they are drawn to each other like magnets and eventually come together under the Boxing Platform.
Imagine the great love, ignoring the unpleasant atmosphere, dusty, cramped, noise of the fighting boxers, the cheering of the crowd, just to be with each other.
Imagine the Despair:
They HAVE to resort to Spaces like that, simply because Regency Era Society denies them a proper place to court each other.
THE GAME AND THE DESPAIR
The fact, that a young Regency Era aristocrat was willing to have sex under a Boxing PLatform, during the match, is not only daring, funny, reckless and spicy, but above all testifies of a great love, because of the willingness to take that risk and to ”lower” yourself as a Viscount.
It testifies of the despair to which they both fell prey, not being able to see each other on a normal way in public [46]
Because it was the very Society that incriminated their Affair, leading to extreme acts as the Box Scene,  as ”scandalous”  [47], after they had denied them one of the most fundamental Rights of Mankind, the Right to Love and to be Together [48]
SO THIS VERY VERY SEX SCENE UNDER THE BOX PLATFORM IS ONE OF THE MOST IMPRESSIVE EXAMPLES OF TRUE AND GENUINE LOVE IN THE BRIDGERTON SERIES BECAUSE OF THE WILLINGNESS OF TWO PEOPLE TO BE TOGETHER UNDER EXTREME CIRCUMSTANCES DESPITE THE REGENCY DEHUMANIZATION OF THEIR LOVE [49]
Folks, it was nice to travel with you again
We will meet soon, with a  new Fascinating Post
LOOK OUT FOR ME AND WATCH MY WEBSITE!
ASTRID ESSED
NOTES 1 T/M 49
FIRST
NOTES 1 T/M NOTE 21
SECOND
NOTES 22 T/M NOTE 38
THIRD
NOTE 39 T/M NOTE 49

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Bridgerton/The Boxing Match Scene between Anthony and Siena/Fun, Desperation and Love/What really happened

ffff1647d32d114d3cae3f229d23d944.jpg
ffff1647d32d114d3cae3f229d23d944.jpg
ANTHONY AND SIENA/LOVE SCENE  AT THE BOXING PLATFORM
ANTHONY AND SIENA/LOVE SCENE  AT THE BOXING PLATFORM
BRIDGERTON/THE BOXING MATCH SCENE BETWEEN ANTHONY AND SIENA/FUN, DESPERATION AND LOVE/WHAT REALLY HAPPENED
FOLKS, HAVE YOU EVER LOOKED THE FUNNY SEX SCENE
UNDER THE BOXING PLATFORM THROUGH THE EYES OF ANTHONY AND SIENA THEMSELVES? HERE WE GO
………………..
……………….
HALLO FOLKS
Here she is again, your dedicated Bridgerton Fan
As you’ll know, I wrote a lot about Bridgerton [1], especially about the relationship between Lady Violet and her son Anthony, the Love Relationship between Anthony and opera singer Siena AND [2] about Siena herself, who is often underrated in the series, but deserves her own Platform of Honour, not only as an independent woman with her own career, long before she even met Anthony Bridgerton, but as the woman, who gave him warmth and love in the time his mother not only neglected him emotionally [what she could partially be forgiven for because of her own mourning after her husband’s death] [3], but also blackmailed him emotionally with his death father and coldly dehumanized Siena, whom he then deeply loved. [4]
And that IS unforgivable, something no mother should do to her own child.
Because understanding Violet’s motives for her objection to the Anthony and Siena Relationshiop is one thing [4A]
Acting as if her son’s great love is no human Being is a quite other Matter…..[4B]
And especially because of the love and warmth Siena gave Anthony in that Dark Period of his life with a mother who also laid an immense pressure on him, although unconsciously [5], she deserves her own Honour, which I was proud to give her! [6]
NOW:
Because of the pressure of society, increased by the immense pressure of Anthony’s mother Lady Violet [and bear in mind that however horrible her behaviour, essentially she loves him, but lashing out in social panic] [7], they have an on/off relationship [8] and on the moment of the sex scene
under the Boxing Platform, it is temporarily off again……
Now I take you to the Scene under the Boxing Platform, preceded by their
passionate glances at each other………
IS THAT FUN?
EXCITEMENT?
DESPERATION?
CRAZINESS?
FUN?/FUN
IMAGINE A MAN AND HIS BELOVED ONE HAVING SEX UNDER A
BOXING PLATFORM
WHAT WOULD YOU THINK?
I know what you think, because that’s what I think
Thought and still think
HAHAHAHA
Excitement, recklessness and craziness
And that’s all that
Excitement for US Fans and viewers to see
The Thrill, the Tension, the Passion.
EXCITEMENT!
The Tension is still increased by the fact, that the man and woman not only have sex under a Boxing Platform, during the match, with all the noise, roaring of the crowd, dust, with the boxing men above the Platform, BUT that the woman in question is present there with another man!
And that when they embrace, the other man is still sitting in public, watching the box show……
RECKLESSNESS!
The Recklessness is obvious.
Because it is an illicit Affair [between an aristocrat and an opera singer] [9] the tension is obvious, leading to recklessness.
But what do you do when it is not ”just sex” [10], but really Love and it is extremely difficult to be together? [11]
You take risks
Now HE is there with his brothers [no such problem, since his brothers will be loyal], but SHE is there with another man and the risk of danger, a fight when it is discovered is present……
CRAZINESS
Can you imagine such craziness?
Just make love under a Boxing Platform, with above a cheering crowd,
the risk of discovery, the noise, the dust?
It IS Crazy….
But when all things are said and done and we admit that having sex like that is thrilling for us to see [watch the scene] [12] but FOR THEM [Anthony and Siena] it IS  risky, exciting and crazy at the same time….
The Question arises
Is this Boxing Scene [13] just FUN and AMUSEMENT
Or is there more…….
JUST TRAVEL WITH ASTRID ESSED TO THE VERY LOCATION WHERE THIS TAKES PLACE………….
Now let’s take a closer look at what really happened…..
‘ANTHONY AND SIENA/SEXSCENE  UNDER THE BOXING PLATFORM/WHAT REALLY HAPPENED
IMAGINE FOLKS, WE ARE IN THE PUBLIC, WATCHING THE BOXING MATCH……
Imagine we’ve bought a cheap ticket, enjoying the match, sitting beneath, between all those shouting, steaming and screaming people.
The Lords and other rich people are upstairs, having the best seats, looking down on us and the match.
Then suddenly we recognize the three rich and trendy  Bridgerton brothers, cheering just as enthusiastically as we, the common people,  encouraging the boxers.
What WE don’t know is that one of the brothers, the eldest, Viscount Anthony Bridgerton and Head of the Family [13A], is not just watching the show, but is suddenly distracted by someone, who means a lot to him and with whom he is passionately in love, but they’ve temporarily split up, since it was an on/off relationship due to society pressures and their passionate characters[14]
He is just staring at her, not interested in the match anymore.
But since his love affair is illicit, due to social barriers [15] and the fierce resistance and dehumanizing behaviour of his dominant mother against his beloved one [16], he can’t approach her openly.
So he looks at his brothers furtively but seeing that they only have eyes for the boxing match, he resumes his obsessive staring at the woman he loves and can’t give up.  [16A]
Then, in the scene, the music is almost unheimlich.
Initially she doesn’t notice him, being there with another man out of survival necessity, since Anthony had ended their relationship [ not for the first time] [16B], not realizing that he left her without any livelihood [ignorant of her precarious position  not due to lack of love, but because of his spoiled rich boy’s privilege] [17]
But you know how it is:
If someone stares at you continually, you suddenly ”feel” it
So happened to Siena.
Suddenly she looks up and sees him and then something magical happens:
As if they were gravitated to each other, they intensily watched each other as if there were no other people in the hot, crowded and steaming Boxing Space……..
What Siena did NOT see was that her companion, the man she was with, [a draper] suddenly got startled, seeing Anthony staring.
He must have thought: Now I’ve lost her
In Siena’s watching Anthony was a mixture of sorrow, intensity, pride but also
loving fear since she felt the intensity of his feelings.
As if she thought:
”I will never escape him” [18]
And that was exactly what HE thought:
”You will never escape me….” [18A]
Obsessed as he was by true love
Because so many times he broke off the relationship or she did,  but because of their deep love for each other  they always got back together.[19]
Now it is very unlikely, FOLKS, that we would have seen those desperate glances to each other, as we only knew them  superficially [Anthony as great Lord, galloping past us and more likely Siena Rosso as opera singer], because after all we came for the match and we didn’t belong to the Ton members [20], so not knowing the [in Ton eyes] scandalous Anthony and Siena Affair. [21]
The only thing WE might perhaps  notice was that Anthony Bridgerton suddenly left the Boxing Space and that, later, Siena Rosso left too.
But it would have escaped our attention, that there was a connection between the Viscount and the opera singer leaving the Boxing Room  shortly after each other…..
ANYWAY
They  found themselves at the least romantic Place, UNDER the Boxing Scene, far from the  prying eyes of the Ton [22] and the undoubtedly shocked gazes of Anthony’s mother [23], the Only Place where they could be together at the moment, with above them the noise and screaming
of the crowd and the heavy blows of the fighting boxers landing in the ring.
And there, at that dusty and semi dark Place, they embraced each other with a fierce , almost desperate intensity, she pushing him to the wall and almost tore his clothes off……while he was standing there in total surrender to the woman he loved…….[24]
ANTHONY AND SIENA/SEXSCENE UNDER  THE BOXING PLATFORM/FUN, DESPERATION AND LOVE
THROUGH THE EYES OF ANTHONY AND SIENA
DESPERATION AND LOVE
PUT YOURSELF IN THEIR SHOES….
Okay Folks, we have had our hot, intense and funny Sex Scene between
Anthony and Siena under the Boxing Platform! [25]
Even more exciting because of
 THE RISK OF A CONFRONTATION BETWEEN TWO MEN WANTING THE SAME WOMAN……[26]
But now what about Anthony and Siena THEMSELVES?
You think they enjoyed this on the same way we did?
In Other Words:
DID THEY FOUND IT FUNNY, HOT AND SPICY TOO ?
COMMENTING……………..
…………………..
Perhaps  it HAD a ”thrilling”, ”daring” and ”reckless” Element for them too.
Something like ”We against the World” [27]
After all
They were young, passionate in love
But WAS it Just ”FUN” for them?
PUT YOURSELF IN THEIR SHOES…….
Imagine you are a young aristocrat in Regency Era or no, Imagine you are just yourself, that’s more easy, since we are no Ton People [28], at least most of us aren’t
You are young and you are desperately in love.
But you can’t be with your loved one, due to some bigotic rules.
You can’t see each other in public.
That means:
Not going for some walk, not eating in restaurants, not going
to the movies, not going to a dance.
Even when you see each other in public, you have to avoid eye contact or only can nod briefly at each other, while all you truly want is to be together.
And if that’s not worse enough, the people who are supposed to love you, like your mother, are dehumanizing your Love Affair, as if your love is sordid.
So Love itself becomes a crime…….
And the only places where you can see each other without limitations of society are in private spaces like rented apartments, dark places, etc
In Short:
Places where others can’t see you
Did I already say, that a marriage between those two loved ones is impossible?
Well, I think you have understood that already……………
WELL FOLKS, THAT WAS THE SITUATION ANTHONY AND SIENA WERE IN
Although the Ton had no objection against an Affair between a young aristocrat and an opera singer, when it was a mere ”distraction” the ”unwritten rules” were, that they kept it in the dark , like I described above.
Now that can be hot and Funny, when there are no real feelings involved, but what if they are in love with each other, as happened to Anthony and Siena [29]?
YES, that was a Major Problem.
Because playing some Sex in the dark, when there are no real feelings involved is one thing [although it of course is ridiculous that you can’t be seen, even when it is just sex] [30], but when you love each other, you want to be together in public, in ”’the Light”
You want to walk together in Kew Gardens, wine and dine in restaurants, going out together.
In Short:
Do what people in love do.
That it is a major and serious Blow to someone’s emotional State that you are forbidden to be openly with the one you love, everyone understands.
To your Information, Astrid Essed asked an AI what it does emotionally with a young Regency Aristocrat, when being in love with an opera singer and prohibited to be together on a normal way. [30A]
It triggers feelings like deep melancholy, bitter psychological anguish, and a crushing sense of powerlessness. [31]
And Anthony also had to face the bitter reality, that being the Eldest son and the Head of the Family [32] his position was even more emotionally precarious, also suffering feelings of pervasive guilt [torn between his position as Head of the Family and the Feelings of his Heart] , and a painful sense of powerlessness [33], still enlarged by the fact, that being Head of the Family didn’t give him more power to follow his own heart desires, but forced him to choose between his duty and his Heart [33A]
ANTHONY AND SIENA/SEXSCENE UNDER  THE BOXING PLATFORM/FUN, DESPERATION AND LOVE
THROUGH THE EYES OF ANTHONY AND SIENA
DESPERATION AND LOVE
So Folks, THAT was their REAL SITUATION
Apart from All the Fun, Thrill, Excitement and ”Recklessness”’
Due to their impossible situation, strictly forbidding [from perspective of Ton Society] a marriage between an aristocrat and operasinger on pain of the social death [34], they had to hide as criminals [35], which caused a severe painful State to Anthony and Siena, who was already stigmatized by her occupation as operasinger [36]
It was heartbreaking to see  the expression of pain on Anthony’s face when he said in another Scene to Siena, meeting her  on the Eve of the Duel
””If I live to see sunrise I’m free…..free of society….free of these rules
the very ones that keep us apart…we can go together away from all this Siena…..” [37]
And that painful Expression on his Face revealed all the Pain, the Sorrow, the Depression and the Anguish this Forbidden Love caused……
Then NOW People will understand, why it was an on/off Relationship, due to all this societal and familial pressure [think of the personal pressure of Anthony’s mother Lady Violet, although stemming from understandable social fear, yet dehumanizing to Siena personally and by proxy hurting her own son, for which is no excuse] [38]
SEX AND EXCITEMENT/NOT [ONLY] A GAME
You must view this Spicy Sex Scene under the Boxing Platform [39] against this Background.
Apparently their Relationship was split up again and Siena, with pain in her heart had begun a new life with another man, a draper [40], from bare necessity of survival [41]
Then she goes to the Boxing Show with him and looking at her face you can see she is not all that happy, since she misses her Great Love.
Anthony is at the show with his brothers, initially enthusiastically seeming to watch the show [we will never know if he went to the show spontaneously or followed Siena and her new man].
Then suddenly his enthusiastic face changes into a look of passionate, nearly obsessed love, staring at her as if she is alone in that Space, as if to say:
”Being with another or not, you only belong to me”
When she eventually sees him [people feel when someone is staring at them] , she stares at him with an expression of sorrow, pain, loss, love, but also with the startled expression of someone who thinks:
”I will never escape him…” [42]
YOU SEE THE DESPERATION  NOW?
Because he can’t just speak to her or greet her in public [43], let alone make an appointment [44], he has to resort to extreme measures.
So he stares obsessively at her until she feels it and stares back just intensely [45]
In his obsessive staring, he claims her, ignoring the fact that she is there with another man.
And they both long for each other so much, that they are drawn to each other like magnets and eventually come together under the Boxing Platform.
Imagine the great love, ignoring the unpleasant atmosphere, dusty, cramped, noise of the fighting boxers, the cheering of the crowd, just to be with each other.
Imagine the Despair:
They HAVE to resort to Spaces like that, simply because Regency Era Society denies them a proper place to court each other.
THE GAME AND THE DESPAIR
The fact, that a young Regency Era aristocrat was willing to have sex under a Boxing PLatform, during the match, is not only daring, funny, reckless and spicy, but above all testifies of a great love, because of the willingness to take that risk and to ”lower” yourself as a Viscount.
It testifies of the despair to which they both fell prey, not being able to see each other on a normal way in public [46]
Because it was the very Society that incriminated their Affair, leading to extreme acts as the Box Scene,  as ”scandalous”  [47], after they had denied them one of the most fundamental Rights of Mankind, the Right to Love and to be Together [48]
SO THIS VERY VERY SEX SCENE UNDER THE BOX PLATFORM IS ONE OF THE MOST IMPRESSIVE EXAMPLES OF TRUE AND GENUINE LOVE IN THE BRIDGERTON SERIES BECAUSE OF THE WILLINGNESS OF TWO PEOPLE TO BE TOGETHER UNDER EXTREME CIRCUMSTANCES DESPITE THE REGENCY DEHUMANIZATION OF THEIR LOVE [49]
Folks, it was nice to travel with you again
We will meet soon, with a  new Fascinating Post
LOOK OUT FOR ME AND WATCH MY WEBSITE!
ASTRID ESSED
NOTES 1 T/M 49
FIRST
NOTES 1 T/M NOTE 21
SECOND
NOTES 22 T/M NOTE 38
THIRD
NOTE 39 T/M NOTE 49

Reacties uitgeschakeld voor Bridgerton/The Boxing Match Scene between Anthony and Siena/Fun, Desperation and Love/What really happened

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Anthony and Siena/The Boxing Match Scene/Sex under the Boxing PLatform/Fun, Desperation and Love/What really happened

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ANTHONY AND SIENA/LOVE SCENE  AT THE BOXING PLATFORM
ANTHONY AND SIENA/THE BOXING MATCH SCENE/SEX  UNDER THE BOXING PLATFORM/FUN, DESPERATION AND LOVE/WHAT REALLY HAPPENED
FOLKS, HAVE YOU EVER LOOKED THE FUNNY SEX SCENE
UNDER THE BOXING PLATFORM THROUGH THE EYES OF ANTHONY AND SIENA THEMSELVES? HERE WE GO
………………..
……………….
HALLO FOLKS
Here she is again, your dedicated Bridgerton Fan
As you’ll know, I wrote a lot about Bridgerton [1], especially about the relationship between Lady Violet and her son Anthony, the Love Relationship between Anthony and opera singer Siena AND [2] about Siena herself, who is often underrated in the series, but deserves her own Platform of Honour, not only as an independent woman with her own career, long before she even met Anthony Bridgerton, but as the woman, who gave him warmth and love in the time his mother not only neglected him emotionally [what she could partially be forgiven for because of her own mourning after her husband’s death] [3], but also blackmailed him emotionally with his death father and coldly dehumanized Siena, whom he then deeply loved. [4]
And that IS unforgivable, something no mother should do to her own child.
Because understanding Violet’s motives for her objection to the Anthony and Siena Relationshiop is one thing [4A]
Acting as if her son’s great love is no human Being is a quite other Matter…..[4B]
And especially because of the love and warmth Siena gave Anthony in that Dark Period of his life with a mother who also laid an immense pressure on him, although unconsciously [5], she deserves her own Honour, which I was proud to give her! [6]
NOW:
Because of the pressure of society, increased by the immense pressure of Anthony’s mother Lady Violet [and bear in mind that however horrible her behaviour, essentially she loves him, but lashing out in social panic] [7], they have an on/off relationship [8] and on the moment of the sex scene
under the Boxing Platform, it is temporarily off again……
Now I take you to the Scene under the Boxing Platform, preceded by their
passionate glances at each other………
IS THAT FUN?
EXCITEMENT?
DESPERATION?
CRAZINESS?
FUN?/FUN
IMAGINE A MAN AND HIS BELOVED ONE HAVING SEX UNDER A
BOXING PLATFORM
WHAT WOULD YOU THINK?
I know what you think, because that’s what I think
Thought and still think
HAHAHAHA
Excitement, recklessness and craziness
And that’s all that
Excitement for US Fans and viewers to see
The Thrill, the Tension, the Passion.
EXCITEMENT!
The Tension is still increased by the fact, that the man and woman not only have sex under a Boxing Platform, during the match, with all the noise, roaring of the crowd, dust, with the boxing men above the Platform, BUT that the woman in question is present there with another man!
And that when they embrace, the other man is still sitting in public, watching the box show……
RECKLESSNESS!
The Recklessness is obvious.
Because it is an illicit Affair [between an aristocrat and an opera singer] [9] the tension is obvious, leading to recklessness.
But what do you do when it is not ”just sex” [10], but really Love and it is extremely difficult to be together? [11]
You take risks
Now HE is there with his brothers [no such problem, since his brothers will be loyal], but SHE is there with another man and the risk of danger, a fight when it is discovered is present……
CRAZINESS
Can you imagine such craziness?
Just make love under a Boxing Platform, with above a cheering crowd,
the risk of discovery, the noise, the dust?
It IS Crazy….
But when all things are said and done and we admit that having sex like that is thrilling for us to see [watch the scene] [12] but FOR THEM [Anthony and Siena] it IS  risky, exciting and crazy at the same time….
The Question arises
Is this Boxing Scene [13] just FUN and AMUSEMENT
Or is there more…….
JUST TRAVEL WITH ASTRID ESSED TO THE VERY LOCATION WHERE THIS TAKES PLACE………….
Now let’s take a closer look at what really happened…..
‘ANTHONY AND SIENA/SEXSCENE  UNDER THE BOXING PLATFORM/WHAT REALLY HAPPENED
IMAGINE FOLKS, WE ARE IN THE PUBLIC, WATCHING THE BOXING MATCH……
Imagine we’ve bought a cheap ticket, enjoying the match, sitting beneath, between all those shouting, steaming and screaming people.
The Lords and other rich people are upstairs, having the best seats, looking down on us and the match.
Then suddenly we recognize the three rich and trendy  Bridgerton brothers, cheering just as enthusiastically as we, the common people,  encouraging the boxers.
What WE don’t know is that one of the brothers, the eldest, Viscount Anthony Bridgerton and Head of the Family [13A], is not just watching the show, but is suddenly distracted by someone, who means a lot to him and with whom he is passionately in love, but they’ve temporarily split up, since it was an on/off relationship due to society pressures and their passionate characters[14]
He is just staring at her, not interested in the match anymore.
But since his love affair is illicit, due to social barriers [15] and the fierce resistance and dehumanizing behaviour of his dominant mother against his beloved one [16], he can’t approach her openly.
So he looks at his brothers furtively but seeing that they only have eyes for the boxing match, he resumes his obsessive staring at the woman he loves and can’t give up.  [16A]
Then, in the scene, the music is almost unheimlich.
Initially she doesn’t notice him, being there with another man out of survival necessity, since Anthony had ended their relationship [ not for the first time] [16B], not realizing that he left her without any livelihood [ignorant of her precarious position  not due to lack of love, but because of his spoiled rich boy’s privilege] [17]
But you know how it is:
If someone stares at you continually, you suddenly ”feel” it
So happened to Siena.
Suddenly she looks up and sees him and then something magical happens:
As if they were gravitated to each other, they intensily watched each other as if there were no other people in the hot, crowded and steaming Boxing Space……..
What Siena did NOT see was that her companion, the man she was with, [a draper] suddenly got startled, seeing Anthony staring.
He must have thought: Now I’ve lost her
In Siena’s watching Anthony was a mixture of sorrow, intensity, pride but also
loving fear since she felt the intensity of his feelings.
As if she thought:
”I will never escape him” [18]
And that was exactly what HE thought:
”You will never escape me….” [18A]
Obsessed as he was by true love
Because so many times he broke off the relationship or she did,  but because of their deep love for each other  they always got back together.[19]
Now it is very unlikely, FOLKS, that we would have seen those desperate glances to each other, as we only knew them  superficially [Anthony as great Lord, galloping past us and more likely Siena Rosso as opera singer], because after all we came for the match and we didn’t belong to the Ton members [20], so not knowing the [in Ton eyes] scandalous Anthony and Siena Affair. [21]
The only thing WE might perhaps  notice was that Anthony Bridgerton suddenly left the Boxing Space and that, later, Siena Rosso left too.
But it would have escaped our attention, that there was a connection between the Viscount and the opera singer leaving the Boxing Room  shortly after each other…..
ANYWAY
They  found themselves at the least romantic Place, UNDER the Boxing Scene, far from the  prying eyes of the Ton [22] and the undoubtedly shocked gazes of Anthony’s mother [23], the Only Place where they could be together at the moment, with above them the noise and screaming
of the crowd and the heavy blows of the fighting boxers landing in the ring.
And there, at that dusty and semi dark Place, they embraced each other with a fierce , almost desperate intensity, she pushing him to the wall and almost tore his clothes off……while he was standing there in total surrender to the woman he loved…….[24]
ANTHONY AND SIENA/SEXSCENE UNDER  THE BOXING PLATFORM/FUN, DESPERATION AND LOVE
THROUGH THE EYES OF ANTHONY AND SIENA
DESPERATION AND LOVE
PUT YOURSELF IN THEIR SHOES….
Okay Folks, we have had our hot, intense and funny Sex Scene between
Anthony and Siena under the Boxing Platform! [25]
Even more exciting because of
 THE RISK OF A CONFRONTATION BETWEEN TWO MEN WANTING THE SAME WOMAN……[26]
But now what about Anthony and Siena THEMSELVES?
You think they enjoyed this on the same way we did?
In Other Words:
DID THEY FOUND IT FUNNY, HOT AND SPICY TOO ?
COMMENTING……………..
…………………..
Perhaps  it HAD a ”thrilling”, ”daring” and ”reckless” Element for them too.
Something like ”We against the World” [27]
After all
They were young, passionate in love
But WAS it Just ”FUN” for them?
PUT YOURSELF IN THEIR SHOES…….
Imagine you are a young aristocrat in Regency Era or no, Imagine you are just yourself, that’s more easy, since we are no Ton People [28], at least most of us aren’t
You are young and you are desperately in love.
But you can’t be with your loved one, due to some bigotic rules.
You can’t see each other in public.
That means:
Not going for some walk, not eating in restaurants, not going
to the movies, not going to a dance.
Even when you see each other in public, you have to avoid eye contact or only can nod briefly at each other, while all you truly want is to be together.
And if that’s not worse enough, the people who are supposed to love you, like your mother, are dehumanizing your Love Affair, as if your love is sordid.
So Love itself becomes a crime…….
And the only places where you can see each other without limitations of society are in private spaces like rented apartments, dark places, etc
In Short:
Places where others can’t see you
Did I already say, that a marriage between those two loved ones is impossible?
Well, I think you have understood that already……………
WELL FOLKS, THAT WAS THE SITUATION ANTHONY AND SIENA WERE IN
Although the Ton had no objection against an Affair between a young aristocrat and an opera singer, when it was a mere ”distraction” the ”unwritten rules” were, that they kept it in the dark , like I described above.
Now that can be hot and Funny, when there are no real feelings involved, but what if they are in love with each other, as happened to Anthony and Siena [29]?
YES, that was a Major Problem.
Because playing some Sex in the dark, when there are no real feelings involved is one thing [although it of course is ridiculous that you can’t be seen, even when it is just sex] [30], but when you love each other, you want to be together in public, in ”’the Light”
You want to walk together in Kew Gardens, wine and dine in restaurants, going out together.
In Short:
Do what people in love do.
That it is a major and serious Blow to someone’s emotional State that you are forbidden to be openly with the one you love, everyone understands.
To your Information, Astrid Essed asked an AI what it does emotionally with a young Regency Aristocrat, when being in love with an opera singer and prohibited to be together on a normal way. [30A]
It triggers feelings like deep melancholy, bitter psychological anguish, and a crushing sense of powerlessness. [31]
And Anthony also had to face the bitter reality, that being the Eldest son and the Head of the Family [32] his position was even more emotionally precarious, also suffering feelings of pervasive guilt [torn between his position as Head of the Family and the Feelings of his Heart] , and a painful sense of powerlessness [33], still enlarged by the fact, that being Head of the Family didn’t give him more power to follow his own heart desires, but forced him to choose between his duty and his Heart [33A]
ANTHONY AND SIENA/SEXSCENE UNDER  THE BOXING PLATFORM/FUN, DESPERATION AND LOVE
THROUGH THE EYES OF ANTHONY AND SIENA
DESPERATION AND LOVE
So Folks, THAT was their REAL SITUATION
Apart from All the Fun, Thrill, Excitement and ”Recklessness”’
Due to their impossible situation, strictly forbidding [from perspective of Ton Society] a marriage between an aristocrat and operasinger on pain of the social death [34], they had to hide as criminals [35], which caused a severe painful State to Anthony and Siena, who was already stigmatized by her occupation as operasinger [36]
It was heartbreaking to see  the expression of pain on Anthony’s face when he said in another Scene to Siena, meeting her  on the Eve of the Duel
””If I live to see sunrise I’m free…..free of society….free of these rules
the very ones that keep us apart…we can go together away from all this Siena…..” [37]
And that painful Expression on his Face revealed all the Pain, the Sorrow, the Depression and the Anguish this Forbidden Love caused……
Then NOW People will understand, why it was an on/off Relationship, due to all this societal and familial pressure [think of the personal pressure of Anthony’s mother Lady Violet, although stemming from understandable social fear, yet dehumanizing to Siena personally and by proxy hurting her own son, for which is no excuse] [38]
SEX AND EXCITEMENT/NOT [ONLY] A GAME
You must view this Spicy Sex Scene under the Boxing Platform [39] against this Background.
Apparently their Relationship was split up again and Siena, with pain in her heart had begun a new life with another man, a draper [40], from bare necessity of survival [41]
Then she goes to the Boxing Show with him and looking at her face you can see she is not all that happy, since she misses her Great Love.
Anthony is at the show with his brothers, initially enthusiastically seeming to watch the show [we will never know if he went to the show spontaneously or followed Siena and her new man].
Then suddenly his enthusiastic face changes into a look of passionate, nearly obsessed love, staring at her as if she is alone in that Space, as if to say:
”Being with another or not, you only belong to me”
When she eventually sees him [people feel when someone is staring at them] , she stares at him with an expression of sorrow, pain, loss, love, but also with the startled expression of someone who thinks:
”I will never escape him…” [42]
YOU SEE THE DESPERATION  NOW?
Because he can’t just speak to her or greet her in public [43], let alone make an appointment [44], he has to resort to extreme measures.
So he stares obsessively at her until she feels it and stares back just intensely [45]
In his obsessive staring, he claims her, ignoring the fact that she is there with another man.
And they both long for each other so much, that they are drawn to each other like magnets and eventually come together under the Boxing Platform.
Imagine the great love, ignoring the unpleasant atmosphere, dusty, cramped, noise of the fighting boxers, the cheering of the crowd, just to be with each other.
Imagine the Despair:
They HAVE to resort to Spaces like that, simply because Regency Era Society denies them a proper place to court each other.
THE GAME AND THE DESPAIR
The fact, that a young Regency Era aristocrat was willing to have sex under a Boxing PLatform, during the match, is not only daring, funny, reckless and spicy, but above all testifies of a great love, because of the willingness to take that risk and to ”lower” yourself as a Viscount.
It testifies of the despair to which they both fell prey, not being able to see each other on a normal way in public [46]
Because it was the very Society that incriminated their Affair, leading to extreme acts as the Box Scene,  as ”scandalous”  [47], after they had denied them one of the most fundamental Rights of Mankind, the Right to Love and to be Together [48]
SO THIS VERY VERY SEX SCENE UNDER THE BOX PLATFORM IS ONE OF THE MOST IMPRESSIVE EXAMPLES OF TRUE AND GENUINE LOVE IN THE BRIDGERTON SERIES BECAUSE OF THE WILLINGNESS OF TWO PEOPLE TO BE TOGETHER UNDER EXTREME CIRCUMSTANCES DESPITE THE REGENCY DEHUMANIZATION OF THEIR LOVE [49]
Folks, it was nice to travel with you again
We will meet soon, with a  new Fascinating Post
LOOK OUT FOR ME AND WATCH MY WEBSITE!
ASTRID ESSED
NOTES 1 T/M 49
FIRST
NOTES 1 T/M NOTE 21
SECOND
NOTES 22 T/M NOTE 38
THIRD
NOTE 39 T/M NOTE 49

Reacties uitgeschakeld voor Anthony and Siena/The Boxing Match Scene/Sex under the Boxing PLatform/Fun, Desperation and Love/What really happened

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